Professor of Irish Language and Literature Brian Ó Conchubhair delivered the lecture “1916 and High Modernism,” focused on a re-evaluation of Eoghan Ó Tuairisc’s novel “Dé Luain” in the context of modernism Friday in Flanner Hall. This was the final lecture in the Lectures and Public Talks Series sponsored by the Keough-Naughton Institute for Irish Studies.
“Dé Luain” is set during the Easter Rising of 1916 when a number of Irish Republicans proclaimed independence and launched an armed campaign against British forces. Ó Conchubhair said the novel is a profound piece of modernist literature rather than a detailed historical novel.
“Tuairisc draws attention to ‘Dé Luain’s’ own fictional nature with a clear divide between the physical and the intellectual, emotional world,” he said.
Ó Conchubhair said the novel intentionally avoids portraying the action and violence of the conflict in favor of examining character’s thoughts and reactions.
“This is not a straightforward action-driven narrative,” he said.
Many parallels are evident between James Joyce’s seminal modernist work “Ulysses” and “Dé Luain,” Ó Conchubhair said. Both novels share the same setting, Dublin, and depict events over a small window of time with similar themes. Ó Conchubhair also said the work had other influences, including Shakespeare and Tolstoy.
“Macbeth provides a soundtrack in the background,” he said. “Ó Tuairisc owes a great debt to Tolstoy’s masterpiece ‘War and Peace.’”
As for the characters in Ó Tuairisc’s work, Ó Conchubhair said Tuairisc maintains a reasonably impartial but broadly sympathetic view for most of his characters in contrast to most portrayals of the 1916 uprising.
“Ó Tuairisc’s main characters are Irish language exemplars of the modernist anti-heroes,” he said.
“Dé Luain” was published at a time when the events of 1916 were already receiving attention from various forms of media, including television programs and documentaries, Ó Conchubhair said, which further reinforces his claim that “Dé Luain” is more of a modernist novel than a work of history.
“It is prevented from being a pure historical novel because it stops before the actual events of the Easter rising,” he said.
Ó Conchubhair said “Dé Luain” is also not very accessible for an unprepared reader.
“’Dé Luain’ is a dense, multi-layered text that requires readers to read and reflect,” he said. “We must remove ‘Dé Luain’ from the basement and reposition it in the sunlight of high modernism.”
This article originally appeared in The Observer, December 8, 2014